Showing posts with label entertainment law. Show all posts
Showing posts with label entertainment law. Show all posts

Monday, August 5, 2013

Trey Rick Law Client's Song “Oklahoma Breakdown" to be Featured on Stoney LaRue’s Concrete Country on CMT

Congratulations to Trey Rick Law client, songwriter Mike Hosty!

Hosty's song Oklahoma Breakdown" will be performed by Stoney LaRue on CMT’s first Texas shoot of Concrete Country.
From CMT:
 "….LaRue easily kept the crowd’s attention with fan favorites ("Oklahoma Breakdown")…"

Stoney LaRue’s Concrete Country appearance premiers on CMT on Tuesday, August 6, 2013, at 10:50 p.m. CDT.

See photos HERE.

Sunday, July 21, 2013

Release of Joint Strategic Plan from IPEC

As NMPA (National Music Publishers' Association) President and CEO said, "Songwriters are some of America's smallest businesses. When their work is illegally used or undervalued it can be disastrous and career ending."

Since the high cost of bringing infringement claims under current copyright law is out of reach for many of these small businesses, the Copyright Office is looking at potential legal remedies for "small copyright claims." Expect to see the results of its Small Claims Study in the fall of 2013.

Friday, May 3, 2013

With So Many Hits, It's No Wonder BMG Re-Signed Hillary Lindsey

Hit songwriter Hillary Lindsey has penned some of the biggest songs in country music including "American Honey," "This One's for the Girls," and "Jesus Take the Wheel," to name a few.

According to Music Row Magazine:
"Songwriter Hillary Lindsey has re-signed her administration agreement with BMG Chrysalis US."
Admin deals are here to stay for top songwriters. Next generation administration tools like those used by BMG Chrysalis' Income Tracking Team and Kobalt Music's Kobalt System and dashboard for artist and label services continue to push the envelope. These innovations are great for providing transparent royalty collection for musical work copyright owners, as well as, sound recording copyright owners. But, how will these innovations shape the role of music publishers in the future? For hit songwriters who don't need much more than a place to send royalty checks, what will drive songwriters to choose one publishing administrator over another?

Look for future posts further exploring this topic.